Grace's Mosaic Moments

Saturday, June 25, 2011

The Harem Bride

Miss Penelope Blayne is furious. A highly competent, well-traveled young woman of twenty-six, she is shocked when the aunt with whom she has lived for most of her life names a male guardian for Penny’s considerable inheritance until she is thirty. And, worst of all, the guardian is Jason Lisbourne, Earl of Rocksley, a man she has not seen since a dramatic incident a decade earlier.

Penny arrives at the earl’s estate in the midst of an ice storm, only to find a drunken party in progress. Horrified and angry, she is totally unprepared for the earl’s proposal the following morning: that it is time they take seriously the vows made under duress in a sultan’s harem ten years earlier.

Penny and Jason each recall their days in Constantinople and the disastrous event that began their personal tangle. What if’s abound, but common sense now demands they make the best of the noble sacrifice Jason made to save Penny from Sultan Selim, ruler of the Ottoman Empire. Also instrumental in Penny’s rescue is the British Ambassador, Lord Elgin, whose struggles to have his “marbles” accepted by the British Museum become part of the story of the Earl of Rocksley and his surprise bride.

Unfortunately, Penny’s debut as the Countess of Rocksley is marred by rumors of her time in the harem of the Topkapi palace and by Jason’s mistress, who just won’t take “no” for an answer. Penny’s attempts to fit into society, in both London and in Shropshire, come to naught, and she is the one who cuts the Gordian knot binding them together. Will Jason forge a more lasting tie? Does he want to? Or has he suffered enough for a youthful excess of heroism?

Author’s Note: The Harem Bride is a tad “warmer” than my other Regency romances, and perhaps not suitable for every reader.


“. . . The book also has an ambiance that is simply of a different flavor than that of a typical Regency. If you like daring and originality in your Regency authors, I suggest that you pick up all the Blair Bancroft titles you can get your hands on."
Barbara Hume, Rakehell

“Blair Bancroft does it again! . . . once again, she has offered us a tale rich with Regency settings, but unique in characters and plot. . . . Bravo, Ms. Bancroft, for not being afraid to shake the genre up a bit - I think the Prince Regent himself would have applauded your daring."
Celia Merenyi, A Romance Review


I'm happy to announce that The Harem Bride is now available on Kindle and Smashwords. And keep in mind that Smashwords offers a 20% free read of all my indie-published books. (search by title or Blair Bancroft) & - choose Kindle store. (Otherwise you get a postive plethora of old print & e-versions of my books, not the brand new, re-edited hot-off-cyberspace versions.)

Thanks for stopping by. Next blog: Okay, You've Run Spell-Check. Now What?

Grace, w. a. Blair Bancroft

Thursday, June 16, 2011

Writing 101 - Nuts & Bolts, Part 2

WELCOME to Part 2 of Writing 101 - Nuts & Bolts, otherwise known as a short course in punctuation for writers of fiction

If you haven’t read Nuts & Bolts 1 or my blog on manuscript formatting, I hope you’ll take a look before leaving Grace’s Mosaic Moments.

Helpful Books. A quick repeat from Writing - Nuts & Bolts 1:

1. The “publisher’s bible” is The Chicago Manual of Style, a huge, expensive tome that will tell you more than you ever wanted to know about Punctuation. But it covers every last little detail.

2. The simplest punctuation and grammar book - Strunk & White’s The Elements of Style.

3. The Blue Book of Grammar and Punctuation by Jane Straus - an excellent book, although it occasionally assumes everyone uses MS Word!

DASTARDLY DUOS. Any good book on punctuation and grammar will have a great many more examples than the three below, particularly Straus’s Blue Book, but the mistakes below are ones I see so frequently in contest entries that I felt I had to mention them.

1. Its is a possessive pronoun. That means it tells us who or what owns something.

Example: Read this book. Within its covers you’ll find some great advice.

It’s is a contraction of It is. Its only meaning is: It is. If your sentence doesn’t read right if you read it’s as it is, then don’t use it. (Notice the correct possessive use of its without an apostrophe at the beginning of the second sentence.)

2. Who vs. That. This violation of good grammar is truly annoying. If you’re writing a clause about a person, use “who.” If you’re writing about an animal or an inanimate object, use “that.” Very simple, yet writers seem to be depersonalizing humans almost constantly these days.

Repeat: People are “who.” Animals and things are “that.”

Right: Devil take all Scots, particularly those who wanted a bridge where nature never intended a bridge to go.

Wrong: Devil take all Scots, particularly those that wanted a bridge where nature never intended a bridge to go.

3. I/me, he/him & she/her - Correct grammar in these cases has become a losing battle. If you use these pronouns correctly, everyone will think you’re wrong, or else they’ll think you’re being snooty. The choice of right or wrong is up to you.

Example: “It’s me,” instead of the correct: “It’s I.”

Example: The woman was older than her, maybe seventy. Instead of the correct: “than she.”


Check the punctuation books. Rules have not changed, though some contemporary publishers are dropping the extra s in possessives for names.

Example - Correct: Nicholas’s horse
Variation used by some publishers - Nicholas’ horse*

*Since that’s not what we actually say, I am a strong advocate of keeping the extra s. If you have doubts, sound it out. We say: “Nik-o-las-es horse,” not Nik-o-las horse.”

Special Note: Apostrophe in a contraction before a word: Example: ‘Tis, ‘is (for his), etc.
For ordinary submissions to publishers, the apostrophe, as seen above, is okay. You can let a copy editor change it. But if you are formatting for indie publishing, you need to use a closing apostrophe [’], not the opening apostrophe [‘]. To fix this, type two apostrophes, arrow back, Backspace to delete initial apostrophe. The same applies to closing quotes at the end of a dash (see below). Type two quotes, arrow back and delete the first one (giving you a closing quote instead of an opening quote).

Example: ’Tis the scandal of Lower Wyverne, and I’ve no doubt it’s spread over the whole county by now,” Lady Horatia continued, much aggrieved.


Note: there are rules for both Dashes and Ellipses where the Blue Book disagrees with The Chicago Manual of Style, particularly in assuming certain auto functions occur in all word processing programs, when they do not. So it may be necessary to work out your own compromise and allow your publisher’s style sheet to have the final word.

In general, I use an em dash almost exclusively, saving en dashes for occasional “stuttering style” responses. The difference is very easy. An em dash is the width of an “m.” An en dash is the width of an “n.” Em dashes are the ones most frequently seen in romance. In most word processing programs, if you type the old double hyphen you were taught in school, you’ll likely get an auto-switch to an en dash. If you want an em dash, that’s not going to do you much good. You can go into the Symbols menu, or—faster and easier—simply type Alt+0151 on your keypad, and voilĂ , you’ve got an em dash. For an en dash—if you want someone stumbling over their words and an em dash looks too dramatic, use Alt+0150 (see example below).

Example - Narrative insert in dialogue:

“As you may have noticed”—Jason paused, cleared his throat while cursing the pixies still pounding anvils in his head—“I did not expect you before tomorrow at the earliest.”

Example - at the end of an interrupted sentence:

“It’s not fair, I tell you. It’s just not—”

Example - in place of a colon:

Romance might be stalled, but one thing was now certain—Jeff’s goal stretched far beyond the confines of Ashley’s Choice.
Example - Stumbling speech (en dash)

“He–we–well, ’tis plain to see what’s happening here, Relia. We know you’re in deep mourning, but we–I–want you to know you have friends. You can count on us.”


Ellipses have become a bone of contention in recent years. I use them more than most authors, possibly because of a theater background that makes me want to reproduce lines the way and actor might say them, with those infinitesimal pauses that make them more meaningful.

Academically, ellipses are used to indicate parts of quotes that have been deleted. We can completely ignore that in romance. Forgetaboutit!

How to write an ellipsis: The traditional ellipsis uses three periods with a space before, after, and in between each period. (See examples below.)

In recent years e-publishers and Harlequin have done away with the traditional ellipsis, substituting three periods in a row without any spaces. To my mind, this makes a pause so insignificant that we might as well not use it. Some now use the three periods with a space before and after [ ... ], which at least indicates more of a pause than just three periods [...] My advice: stick to the traditional ellipsis and let your copy editor change it to suit the publisher’s style sheet.

In fiction, particularly in romance, ellipses are used to indicate a slight pause, whether in dialogue or in introspection (what the POV character is thinking).

Example: It would take . . . it would take a Major Charles Tyrone.

Ellipses are also used when a person’s speech or thoughts simply trail away into silence.

Example: If he were Wyverne . . .

Please note the classic ellipsis spacing in the two examples above.

~ * ~

After a pause to blog about the latest resurrection on my backlist, The Harem Bride, I’ll be adding another blog to the Writing 101 series—essentially “Okay, I’ve run Spell Check. Am I Done?”

Thanks for stopping by. Grace, who writes as Blair Bancroft

Currently available on Kindle & Smashwords: Lady Silence, A Gamble on Love, A Season for Love, The Harem Bride. On Kindle: Steeplechase & Tarleton’s Wife

Sunday, June 5, 2011

Writing 101 - Tab Conversion

Welcome to Writing 101 - Tab Conversion. Most of my Writing 101 posts are designed for newbies, but this one is aimed primarily at experienced authors who are struggling to convert old manuscripts for indie publishing. And, believe me, I learned these rules the hard way! I’ll be posting Part 2 of Writing 101 - Nuts & Bolts soon, but today I’m concentrating solely on Tabs. Instructions are given below for both MS Word and Word Perfect.

Note for Newbies: Auto Indents are set up exactly as mentioned in “To add Auto Indents.” You are strongly advised to use auto indents for every manuscript. It is the new norm.

I'd appreciate comments about whether or not you found this blog helpful.

Thanks for stopping by!

Grace (who writes as Blair Bancroft)

* * *

Converting Manual Tabs to Auto Tabs

For Users of Microsoft Word (for Word Perfect, see below)

To delete manual tabs:

Edit - Select - All

Ctrl+F (or whatever way you choose Find) . Replace. More. Special.
Click Special & select Tab Character from the list.
Leave “Replace” blank (You are deleting all manual tabs.)
Replace All. (The screen will tell you how many tabs were deleted. It should be a lot.)

To add Auto Indents:

Edit - Select - All.

Format - Paragraph - By (part way down on the right)
Type .5 in this space (or .3 if you are formatting for indie publishing).
OK (or Enter)

To adjust Date/Place lines, which should be Flush Left (and in italics):

Highlight the line - Format - Paragraph - By
Replace the .5 with 0.
OK (or Enter)

To adjust Chapter Titles, which will be slightly lop-sided (optional)

Highlight - Format - Paragraph - By
Replace .5 with 0. OK (or Enter)
Select Center from the Toolbar.

For Users of Word Perfect

To delete manual tabs:

Edit - Select - All

F2 (or whatever you use for Find) - Match - Codes - Left Tab*
*Be sure you arrow all the way down to Left Tab.
(Do NOT use ...Left Tab (ellipsis Left Tab)

Leave “Replace” blank. Enter. This will delete all manual tabs. The screen will give you an exact count of how many.

To add Auto Indent:

Edit - Select - All

Format - Paragraph - Format - First Line Indent - type in .5 (or .3 if you are formatting for indie publishing) - OK (or Enter)

To adjust Date/Place lines, which should be Flush Left (and in italics):

Highlight - Format - Paragraph - Format - First Line Indent - 0 - OK (or Enter)

To adjust Chapter Titles, which will be slightly lop-sided (optional):

Highlight Title - Format - Paragraph - Format - First Line Indent - 0 - OK (or Enter)
Select Centering from the Toolbar.