Saturday, June 14, 2025 - 11:15 p.m.
HURRAY! FOR THE MILLIONS WHO MARCHED -
PEACEFULLY - IN "NO KINGS" PROTESTS
FROM COAST TO COAST.
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Gallery:
My mother is featured in my POV post below, from back in the days when she wrote serial romances for Dell's Modern Romances. She told me that the day she paid the tuition for my last semester of college, she put aside the "pulp fiction" that had paid for my education and began to write children's books.
In my Facebook Memories this week—this pic of my mother's many children's books lying on the dining room table in my new home in Longwood, waiting for me to shelve them (May 2015). They ended up in a giant wooden bookcase in my bedroom. Looking back, I wonder how my volunteer (mostly family) crew managed to wrestle my many heavy pieces of furniture into the house. FYI, my mother, like so many female authors of the period, included her maiden name on her books: Wilma Pitchford Hays.
Below, two FB posts from this morning (6/14/25). How very sad that FB posts have shifted from kids, travel, and chit-chat to instructions for keeping protests peaceful. VITAL instructions as right here in Florida, a local sheriff (shown on the TV evening news) promised (not threatened, promised) to KILL any protestors who turned violent. NOT that I am advocating violence, but talk about going too far . . .
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WRITING - POINT OF VIEW
Addendum
A Note to Authors of Fiction other than Romance
Since all my books, whether Regency or Contemporary, are some form of Romance and most of my Blog followers are Romance authors, my posts on Point of View have been geared to Romance Fiction. There is, however, little difference in Point of View when writing other genres. Third Person tends to be the norm, as well as Multiple POV. Which does not mean there are no Mysteries or Thrillers written in First Person or Third Person from just one person's Point of View.
A story occurred to me about my third book, the Romantic Suspense Shadowed Paradise and first Contemporary, written more than twenty years ago. I edited and re-edited that book (as I do with every book), but I never a touched a word of the scenes I wrote in the Villain's Point of View. It was as if they poured out of the mouth of a real person, and I was privileged to write his words down. And then I recalled my mother's story from her days writing serial romances for the Dell magazine Modern Romances.
My mother had her story all worked out and then somehow at the end of the next-to last installment the three main characters all ended up in a lake together. "I never meant that to happen," my mother wailed. Interestingly, in the end Dell took advantage of this unexpected event and asked readers to choose which "hero" was saved.
Which leads me to another example of what happens to those of us who write "out of the mist." I am NOT a planner. Always keeping my mother's experience at the forefront of my mind, I just love sitting down at the keyboard and letting my fingers tell me what is happening in my story today. Yes, of course, I've thought about it, sometimes even "worried" several different approaches, but 90% of the time my fingers type something out of the blue. From a link that should have been there to a new and wonderful tangent that had never even occurred to me. I LOVE surprises. Love how they unfold naturally from the story, making it much better.
As an example, since the beginning of The Stone Soldier and the Lady, I have been determined to have the final dramatic action scene take place at Stonehenge. Except when more closely examined, the details of each idea simply didn't work. Today was Big Scene day, and my head was blank. Grimly, I sat down on my bed with a legal pad and pen in hand, and invited inspiration. And almost immediately it came to me: I needed to leave the POVs of the Hero and Heroine behind and insert a scene from the Villain's POV. Notes flew, filling two pages. I'd done it! I rushed to my keyboard and translated my notes into the set-up for the Big Action Scene, which I have yet to write. Yes, this was a Close Call for a "seat of the pants" author, but in the end my system worked. Sigh.
Grace note: Today, more villain POV. I had intended to switch back, but no way, no how—my villain had more to say. (Fun, isn't it, when your charcters take over?)
The moral of this tale?
Whatever corner you write yourself into, consider a change of POV to get you out.
SERIES SUMMARY.
Never forget that whether you are presenting your work in First or Third Person, there are multiple ways to do so. Write from the Point of View in which you are most comfortable, but never fear to branch out, try something new. Maybe the scene that doesn't quite work might be stunner from a different POV. And above all, never scorn other's people approach to POV. Something you hate may be just what readers love. (I've certainly shaken my head more than once over a "best-seller.")
Be brave. Branch out. (Unless being adventurous will make your editor scream.)
For indie authors and those who work for more enlightened editors, feel free to experiment. There's nothing more deadening to creativity than same-old, same-old.
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Two books featured this week—the companion Romantic Suspense, Shadowed Paradise and Paradise Burning, both set in Venice, FL, where I lived for 25 years (and kept watch over my elderly mother, who lived to the amazing age of 98) before moving to the Orlando area to be near the grandchildren.

When Claire Langdon's affluent, near-fairytale life in New York is
shattered by scandal, she and her eight-year-old son Jamie take refuge
with her grandmother in Florida. Once a bright, confident young woman,
Claire has been so badly hurt that when she stumbles onto a genuine
downhome hero, learning to trust, to love again, seem beyond her reach.
She is also forced to deal with the discovery that there are more
serious dangers in Florida than alligators, snakes, spiders, and macho
males. Like a serial killer, with her name on his list.
Reviews:
"Marvelously versatile, wondrously creative, intelligently written
and sensuously inventive, Bancroft's Shadowed Paradise adds new meaning
to the therm 'romantic suspense.' . . . as fresh as tomorrow and
seriously scary. I loved it."
Celia Merenyi, A Romance Review
"Shadowed Paradise contains all the elements I so enjoy in a book,
excellent dialogue, great character development and fine descriptive
scenes. The romance is steamy, the suspense is taut and exciting, and
the result is a supremely satisfying, well-developed read, guaranteed to
keep you glued throughout."
Astrid Kinn, Romance Reviews Today

Suffering from burn-out, Mandy Armitage, a vital member of her
family's international investigations agency, is sent on a working
vacation to Florida—as research assistant to a best-selling author. The
only problem: the author is the husband she hasn't seen in five years.
As if that weren't enough of a challenge, her assignment plunges her
into the darkness of international human trafficking and the ruthless
men who run it. As the world around her literally goes up in flames, the
girl once known as Mandy Mouse metamorphoses into a dynamic,
independent woman as she discovers how easily black and white can
dissolve into shades of gray.
Author's Note: Although Paradise Burning is a stand-alone book,
reading Shadowed Paradise first (which contains several cross-over
characters) may add to your enjoyment.
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Thanks for stopping by,
Grace (Blair Bancroft)