BLATANTLY POLITICAL

 

 

Below, the protest sign made by a trans friend in a city that shall remain nameless. A friend so terrified she is considering moving to Canada.

 

 

BLATANTLY POLITICAL

 The following poem appeared on Facebook on Sunday, June 15, 2025, the day after Trump's parade down the sparsely lined streets of Washington, DC. It was posted by "One Match." I had to think about that one for a minute, but I believe the name comes from the idea that it takes but a single match to spark a huge conflagration. In this case, a rebellion against tyranny and dictatorship. I immediately copied the poem, knowing it was a "must" for my blog. I urge you to read it carefully, for the USA is rapidly approaching a crisis point. We are in imminent danger of losing the Democracy our forefathers fought for. Our President is thumbing his nose at government "of the people, by the people, for the people." He is ignoring both the Legislative and Judicial branches of the government, acting as if the Constitution did not exist. We cannot stand by and let him do it. And so said the MILLIONS OF PEOPLE across the country who turned out to protest Trump's king-like actions. 

 

Poem posted by One Match:

 
Once upon a time, there lived an evil man who wanted to be king.
No matter how many times he lied,
how loudly he shouted,
how often he cheated,
how much he stole,
how many enemies he invented—
the people never truly loved him.
So he tried harder.
He threw himself a grand birthday parade.
He ordered the soldiers to march—
not for country,
not for freedom,
but for him.
He wanted uniforms.
Flags.
The thunder of boots.
Not to honor the nation—
but to feed the illusion.
The troops came because they had to.
But their steps were off.
Their faces were blank.
They didn’t march for him.
They marched in quiet defiance.
Still, he imagined crowds.
Adoration.
Loyalty.
Tanks rolled. Fireworks cracked.
History to be rewritten.
But no one came.
And so he saluted—to empty bleachers.
A hollow gesture from a hollow man,
facing row after row of plastic chairs
that mirrored the void inside him.
His kingdom had grown tired.
Tired of the lies.
Tired of the cruelty.
Tired of fear wrapped in flags and sold as strength.
And on that very day—his birthday—they rose.
Mighty.
Unshaken.
Done.
They didn’t rise for vengeance.
They rose for something he could never understand—truth, dignity, and the dream he tried to destroy.
Yes, he had his loyalists—men and women who echoed his every word, not out of love,
but because they were paid to perform.
Just like his wives.
Just like his children.
Bought. Branded. Scripted smiles.
There was no real love.
Not from them.
Not ever.
Not from his mother.
Not from his father.
Not from a single soul.
Only leverage.
Only transactions.
Only power for rent.
And that’s what he became:
A man so hollow, he mistook obedience for love,
and fear for loyalty.
A vessel for power.
A shell for sale.
A soul long gone.
He wanted to be king.
But in the end,
he was just a man—
alone.
unloved.
saluting no one.
Performing for ghosts.
And though he stood there in costume,
wrapped in symbols he never earned,
the people had already moved on.
They rose.
And they kept rising.  
In song. In silence. In streets. In spirit.
In every truth spoken, every lie rejected.
In every hand held, every neighbor protected.
In every step that says: He could not break them.
They rose with courage.    
They rose with care.
They rose  with conviction.
And they could not be stopped.
Because the arc bends when we push.
Because the light breaks through when we stand together.               
And no crown forged in cruelty
could stop what’s coming.  
✍  One Match

~ * ~

 I chose The Sometime Bride for this week's featured book, as, in addition to being a romance, it is the story of the last seven years of Europe's twenty-year battle against a tyrant who was not willing to settle for being "king" of one country but attempted to conquer the world, from Europe to the Mediterranean to Russia. His name? Napoleon Bonaparte. 

 

 

A very young bride finds herself married to an enigmatic British spy "for her safety." And is plunged into a seven-year, highly personal view of the Peninsular War—ending, after years of blind devotion, in discovering a betrayal of her trust so immense she can only wonder: Is she the sometime bride of a man who never existed? A discarded mistress? Or a beloved wife whose only rival is her husband's expediency in a time of war?

Author's Note: In addition to being a saga of young lovers caught up in a war, The Sometime Bride is the history of the Peninsular War, Britain's fight against Napoleon in Portugal and Spain. The story moves from France's invasion of Portugal and British troops being driven into the sea at La Coruña to the return of British troops under General Sir Arthur Wellesley, the fortified lines at Torres Vedras, and the gradual push of French troops across Spain and back to France. Plus the chaotic times in Paris after Napoleon's surrender and the Emperor's triumph as he gathers up his old troops, only to be stopped in one of the most famous and bloody battles in history—Waterloo.

Reviews:

Reviewers Choice Award. "Sometimes a reviewer gets a book so powerful, it's hard to know where to begin to tell about it. The Sometime Bride is such a book. . . . Bride passes every criterion for a successful book that I was given as a reviewer. Ms Bancroft weaves a most unusual love story in among the threads of history that cover eight years. . . . I highly recommend both Tarleton's Wife and The Sometime Bride as companion books. They are totally independent, but together give a vastly enlightening and entertaining view of the period through use of wonderful characters and page-turner plots—definite keepers, both." Jane Bowers, Romance Communications

"The writing talent displayed by the author is wonderful . . . Ms. Bancroft's detail for historical events is phenomenal. . . ."
April Redmon, Romantic Times

Five Stars. "Set against the bloody Napoleonic wars, The Sometime Bride is ambitious, engrossing and absolutely wonderful."
Rickey R. Mallory, Affaire de Coeur

Five Stars. "The Sometime Bride by Blair Bancroft is a riveting and well-written story. . . . The tension between the hero and heroine sizzles. . . ." Janet Lane Walters, Scribes World

~ * ~

For a link to Blair's website, click here. 

For Blair's Facebook Author Page, click here.*

 

For recent blogs, scroll down. For Archives, see the menu on the right.

 

Thanks for stopping by,

Grace (Blair Bancroft) 

 

WRITING - POINT OF VIEW - Addendum

Saturday, June 14, 2025 - 11:15 p.m.

HURRAY! FOR THE MILLIONS WHO MARCHED - 

PEACEFULLY - IN "NO KINGS" PROTESTS 

FROM COAST TO COAST.

~  *  ~  

 Gallery:

My mother is featured in my POV post below, from back in the days when she wrote serial romances for Dell's Modern Romances. She told me that the day she paid the tuition for my last semester of college, she put aside the "pulp fiction" that had paid for my education and began to write children's books.

In my Facebook Memories this week—this pic of my mother's many children's books lying on the dining room table in my new home in Longwood, waiting for me to shelve them (May 2015). They ended up in a giant wooden bookcase in my bedroom. Looking back, I wonder how my volunteer (mostly family) crew managed to wrestle my many heavy pieces of furniture into the house. FYI, my mother, like so many female authors of the period, included her maiden name on her books:  Wilma Pitchford Hays. 

 

Below, two FB posts from this morning (6/14/25). How very sad that FB posts have shifted from kids, travel, and chit-chat to instructions for keeping protests peaceful. VITAL instructions as right here in Florida, a local sheriff (shown on the TV evening news) promised (not threatened, promised) to KILL any protestors who turned violent. NOT that I am advocating violence, but talk about going too far . . .

 

 ~ * ~

WRITING - POINT OF VIEW

Addendum

  

A Note to Authors of Fiction other than Romance 

Since all my books, whether Regency or Contemporary, are some form of Romance and most of my Blog followers are Romance authors, my posts on Point of View have been geared to Romance Fiction. There is, however, little difference in Point of View when writing other genres. Third Person tends to be the norm, as well as Multiple POV. Which does not mean there are no Mysteries or Thrillers written in First Person or Third Person from just one person's Point of View. 

A story occurred to me about my third book, the Romantic Suspense Shadowed Paradise and first Contemporary, written more than twenty years ago. I edited and re-edited that book (as I do with every book), but I never a touched a word of the scenes I wrote in the Villain's Point of View. It was as if they poured out of the mouth of a real person, and I was privileged to write his words down. And then I recalled my mother's story from her days writing serial romances for the Dell magazine Modern Romances. 

My mother had her story all worked out and then somehow at the end of the next-to last installment the three main characters all ended up in a lake together. "I never meant that to happen," my mother wailed. Interestingly, in the end Dell took advantage of this unexpected event and asked readers to choose which "hero" was saved. 

Which leads me to another example of what happens to those of us who write "out of the mist." I am NOT a planner. Always keeping my mother's experience at the forefront of my mind, I just love sitting down at the keyboard and letting my fingers tell me what is happening in my story today. Yes, of course, I've thought about it, sometimes even "worried" several different approaches, but 90% of the time my fingers type something out of the blue. From a link that should have been there to a new and wonderful tangent that had never even occurred to me. I LOVE surprises. Love how they unfold naturally from the story, making it much better. 

As an example, since the beginning of The Stone Soldier and the Lady, I have been determined to have the final dramatic action scene take place at Stonehenge. Except when more closely examined, the details of each idea simply didn't work. Today was Big Scene day, and my head was blank. Grimly, I sat down on my bed with a legal pad and pen in hand, and invited inspiration. And almost immediately it came to me:  I needed to leave the POVs of the Hero and Heroine behind and insert a scene from the Villain's POV. Notes flew, filling two pages. I'd done it! I rushed to my keyboard and translated my notes into the set-up for the Big Action Scene, which I have yet to write. Yes, this was a Close Call for a "seat of the pants" author, but in the end my system worked. Sigh.

Grace note:  Today, more villain POV. I had intended to switch back, but no way, no how—my villain had more to say.  (Fun, isn't it, when your charcters take over?)

The moral of this tale? 

Whatever corner you write yourself into, consider a change of POV to get you out.

SERIES SUMMARY.

Never forget that whether you are presenting your work in First or Third Person, there are multiple ways to do so. Write from the Point of View in which you are most comfortable, but never fear to branch out, try something new. Maybe the scene that doesn't quite work might be stunner from a different POV. And above all, never scorn other's people approach to POV. Something you hate may be just what readers love. (I've certainly shaken my head more than once over a "best-seller.")

Be brave. Branch out. (Unless being adventurous will make your editor scream.)

For indie authors and those who work for more enlightened editors, feel free to experiment. There's nothing more deadening to creativity than same-old, same-old.

~ * ~

Two books featured this week—the companion Romantic Suspense, Shadowed Paradise and Paradise Burning, both set in Venice, FL, where I lived for 25 years (and kept watch over my elderly mother, who lived to the amazing age of 98) before moving to the Orlando area to be near the grandchildren. 

    When Claire Langdon's affluent, near-fairytale life in New York is shattered by scandal, she and her eight-year-old son Jamie take refuge with her grandmother in Florida. Once a bright, confident young woman, Claire has been so badly hurt that when she stumbles onto a genuine downhome hero, learning to trust, to love again, seem beyond her reach. She is also forced to deal with the discovery that there are more serious dangers in Florida than alligators, snakes, spiders, and macho males. Like a serial killer, with her name on his list.

Reviews:

"Marvelously versatile, wondrously creative, intelligently written and sensuously inventive, Bancroft's Shadowed Paradise adds new meaning to the therm 'romantic suspense.' . . . as fresh as tomorrow and seriously scary. I loved it."
Celia Merenyi, A Romance Review

"Shadowed Paradise contains all the elements I so enjoy in a book, excellent dialogue, great character development and fine descriptive scenes. The romance is steamy, the suspense is taut and exciting, and the result is a supremely satisfying, well-developed read, guaranteed to keep you glued throughout."
Astrid Kinn, Romance Reviews Today 

 

     Suffering from burn-out, Mandy Armitage, a vital member of her family's international investigations agency, is sent on a working vacation to Florida—as research assistant to a best-selling author. The only problem: the author is the husband she hasn't seen in five years. As if that weren't enough of a challenge, her assignment plunges her into the darkness of international human trafficking and the ruthless men who run it. As the world around her literally goes up in flames, the girl once known as Mandy Mouse metamorphoses into a dynamic, independent woman as she discovers how easily black and white can dissolve into shades of gray.

Author's Note: Although Paradise Burning is a stand-alone book, reading Shadowed Paradise first (which contains several cross-over characters) may add to your enjoyment.

~ * ~

For a link to Blair's website, click here. 

For Blair's Facebook Author Page, click here.*

 

For recent blogs, scroll down. For Archives, see the menu on the right.

 

Thanks for stopping by,

Grace (Blair Bancroft) 

 

WRITING - POV, Pt 4 - Third Person

 A Special Welcome and Thank You to my multitude of new readers

in Vietnam, Brazil, and Hong Kong!

 

Below, Big Cypress National Preserve. I drove through there on a dirt road way back when, so far from anywhere that I was really glad I was carrying an early version of the cell phone. (Of course, looking back, there likely wasn't any service in the middle of the Everglades.) In any event, I'm glad to see this vital part of our ecosystem hasn't changed. Photo posted to Facebook by Dennis Ludwig, June 2025.

 
 

Florida Sunrise by Martha Riegart West

Found on Facebook, 6/25

 ~ * ~

  

WRITING - POINT OF VIEW, Part 4

Third Person  

 

Third Person is by far the most common Point of View in Fiction. It's what seems to come naturally when someone sits down to write. Below, a few of the various approaches to using Third Person.

1.  Third Person (he/she) but told from only one Point of View. Essentially, the book would be little changed if written in First Person (I/we). 

2.  Hero and Heroine POV. The story is told from the viewpoint of both main characters. Back in the day, when I first joined RWA at the end of the 20th c., I saw this approach carried so far that one chapter told a scene from the POV of her heroine, then the EXACT SAME SCENE was rehashed from the POV of the hero. Aargh! Rejected it then; my lips still curl in derision at the thought. However . . .

It is perfectly acceptable for the Hero and Heroine to each have their own chapters, usually carefully labeled with their name at the top, as long as the story keeps moving forward and does not repeat itself! 

This strict One Chapter for Each Character was mostly practiced by Harlequin, the expected publisher for new authors, so it was one of the many "rules" budding authors had to learn.

3. Hero and Heroine POV within the same Chapter. Most publishers were a bit more flexible, allowing the POV to change if a double space was inserted between the two POVs. This is an attitude, if not a strict "rule," which still prevails in the industry.

4.  Multiple Points of View. (We are now getting into my territory. I began writing with Multiple POVs, paused for a while to conform to the print market of that time, before happily leaping into indie publishing and throwing all rules out the window.)

Multiple POVs does not mean "equal time." It simply allows someone besides the Hero and Heroine to express their opinion, whether it's a one-liner or a few paragraphs giving us a slightly different angle on the story. As an example, in my most recent WIP, I begin the book with an entire scene in the POV of the Hero's brother. 

5.  "Head-hopping." This is a term viewed in horror by much of the publishing community, the biggest no-no after Telling instead of Showing your story. This is particularly true of publishers catering to readers with little more than a grammar school education. But for readers who like to keep their wits sharp . . .

The secret in successful "head-hopping" is to make it clear whose head you're in in the very first sentence of the paragraph. That way, only the most sluggish-minded reader can miss who has the POV. I head-hop all the time, though I draw the line at head-hopping within a paragraph!

6. Dialogue POV. (Best title I can think of for this one.)  

There are a few books told almost entirely in dialogue, with only an occasional bit of narration. Definitely a form of Multiple POV, as the story stays so long in each speaker's head that we see the story from each character's Point of View. Personally, I find this a bit much. I don't like to stray from the main characters' heads for that long.

Note:  This POV could also be considered as writing in Multiple First Person, as each character is telling the story from the "I" Point of View. But since there is also narration in both Author and Main Characters' POV . . . 

SUMMARY.  There are a LOT of ways to write in Third Person. Beginning authors should study the style of the published novels in the genre they're writing, paying particular attention to the accepted practices of the print and/or e-publishers you are targeting. Indie authors, go for whatever works best for you. Just be extra careful if you're experimenting with head-hopping. Readers get really upset if they can't tell who's saying what to whom. Make your POV changes really clear.

~ * ~

This week's Featured Book was selected from the News Headlines. (You may recall the story about two Chinese arrested for bringing in a fungus that could harm our agriculture.) 

My Contemporary Adventure/Romance, Hidden Danger, Hidden Heart, is set in shoreline Connecticut, agricultural Spain, and agricultural Florida. Since I lived nearly thirty years on the Connecticut side of Long Island Sound, followed by forty years in Florida, and have at least visited the agricultural fields of Spain, I think I can say that I know the settings pretty well. I also have the experience of a WASP/Spanish-Catholic culture clash in the family. (I'll never forget the Christmas I made aprons for all my new Argentinian relatives and was told (apologetically), "We don't wear aprons."

All of the above, plus awareness of the danger of agricultural sabotage, plus a good bit of lively imagination went into the making of Hidden Danger, Hidden Heart (available from most e-vendors). I hope you'll give it a try. 

 

 When Ashley van Dyne, founder and president of an organic foods business, finds herself in the middle of a world-wide threat to the food crop, she has no choice but to turn to entrepreneur Rafael Guerrero, resulting in a resounding cultural clash on two continents. There is also the problem of Ashley's young sister and three other teens who have no idea they are being used for a terrorist's personal agenda. Hidden Danger, Hidden Heart offers Suspense, Romance, Drama . . . and a warning. 

~ * ~

For a link to Blair's website, click here. 

For Blair's Facebook Author Page, click here.*

 

For recent blogs, scroll down. For Archives, see the menu on the right.

 

Thanks for stopping by,

Grace (Blair Bancroft)